Soft Criminal at Red Hook Labs: Kristin-Lee Moolman, Ibrahim Kamara and Gareth Wrighton

Soft Criminal at Red Hook Labs

Text and Photo by Diana McClure

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In this age of political strife, what can fashion do? It can radically enliven, transform and counter staid social constructs around identity, gender and power. To that end, if your tastes lean toward non-conformity, theatricality and daring sartorial feats, then the collaborative fashion, design and photography project Soft Criminal will thrill and inspire you. Imagine an eclectic mix of the gender-free musician Prince; the Victorian era critique made by visual artist Yinka Shonibare; and, the iconoclasm of designers Vivienne Westwood and Alexander McQueen.

For their first large-scale collaboration in New York, South African photographer Kristin-Lee Moolman, Sierra-Leonean designer Ibrahim Kamara and British designer Gareth Wrighton, created a series of garments and photographs for a two-week installation at Red Hook Labs in Brooklyn. The event kicked off with a live fashion show in a warehouse style space filled to near capacity with people who appeared to be equally committed to the agency that can be found in personal style.

The project follows a loose narrative that documents characters in a fictional storyline revolving around three rival crime families. The photographs offer a fascinating mashup of cultural motifs. They were shot in the South African landscape and include a time warped mix of 17th and 18th century European style, machine guns, imperialism, and a nod toward 21st century understandings of the gender spectrum. Several looks play on tight fitting breeches from the 1800s made in dazzling colors and the bare chests of black models, while hats and masks offer a dashingly fantastical touch. Extravagant wigs and shoes that exaggerate and futurize 17th and 18th century hairstyles and footwear abound. Think heeled cloth covered shoes with buckles or over a foot long curly toed court jester shoes.

The landscape - dusty, rocky and barren under a pale blue sky - sets a backdrop reminiscent of planetary surfaces or the scarily real possibility of a “hothouse earth” scenario. However, the bold human swagger full of life and attitude that many of the models exude overshadows any sense of dystopia the photographs might suggest. An incredibly real melding of feminine and masculine aesthetics and real life bodies offers a tangible and expressive sense of a gender fluid world.

The work of Moolman, Kamara and Wrighton is in fact much more than fashion. Significant ideas undergird their practices including: the touch of hand in the digital age (Wrighton), the mixing of cultural ideas (Kamara), and the creation of fictional mythologies based on the personal and political (Moolman). Working in direct opposition to the “fast fashion” of large global retailers, the garments for Soft Criminal were made by local African artists and artisans. As a whole, the avant garde and eclectic human touches involved in this project offer a compelling alternative to a future fashioned by artifical intelligence.

The photographs and garments included in Soft Criminal are on view at Red Hook Labs through September 23, 2018.

Malick Sidibé: Love Power Peace at Jack Shainman Gallery

Malick Sidibé: Love Power Peace at Jack Shainman Gallery

by Diana McClure

 Malick Sidibé’s photographs are internationally recognized for their narrative exploration of identity and a particular swagger born of youth culture in 1960s Mali. Emboldened by their nation’s recent independence from France, his subjects confidently revel in their stature as members of an emerging modern decolonized nation.   READ FULL REVIEW in PHOTOGRAPH Magazine

Malick Sidibé’s photographs are internationally recognized for their narrative exploration of identity and a particular swagger born of youth culture in 1960s Mali. Emboldened by their nation’s recent independence from France, his subjects confidently revel in their stature as members of an emerging modern decolonized nation.

READ FULL REVIEW in PHOTOGRAPH Magazine

Marie Tomanova: Young American at the Czech Center New York

Marie Tomanova: Young American at the Czech Center New York

by Diana McClure

  Marie Tomanova,  Ryan  (image courtesy of the artist)

Marie Tomanova, Ryan (image courtesy of the artist)

Intentionally human and unintentionally political, the Marie Tomanova: Young American exhibition at the Czech Center New York offers an insider’s view into a vibrant pocket of New York’s youth culture. Orbiting around two epicenters, downtown Manhattan and Brooklyn, Tomanova’s photographs capture a diverse and eclectic range of young people that includes both migrants to the city and native New Yorkers.

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Sarah Anne Johnson: Rosy-Fingered Dawn at Julie Saul Gallery

Sarah Anne Johnson: Rosy-Fingered Dawn at Julie Saul Gallery

by Diana McClure

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In her latest body of work, on view at Julie Saul Gallery through June 30, Sarah Anne Johnson uses photographs as canvases to expose the ephemerality of innocence, adorning her sublime landscapes with unconventional materials, including cotton balls, artificial flowers or spray paint, that speak to both play and longing.

Read full review in photograph magazine

Deborah Willis: In Pursuit of Beauty: Imaging Closets in Newark and Beyond at Shine Portrait Studio

Deborah Willis: In Pursuit of Beauty: Imaging Closets in Newark and Beyond at Shine Portrait Studio

by Diana McClure

 Image detail of photography by Deborah Willis in DEBORAH WILLIS: IN PURSUIT OF BEAUTY

Image detail of photography by Deborah Willis in DEBORAH WILLIS: IN PURSUIT OF BEAUTY

Deborah Willis’s latest exhibition offers a subtle, populist commentary on the democratization of style, while also speaking to the politics of visibility and invisibility.

Organized by Curator-in-Residence Kalia Brooks, the exhibition is on view through December 21 at Shine Portrait Studio at Express Newark, a former department store and the site of photographer James Van Der Zee’s first commercial job in 1911.

Read full article in photograph magazine